Tuesday, June 2, 2015

What's the Scoop on AP 3D Design?

Hello!

I wanted to take a moment to reflect on my AP 3D Design class. This is the second year that I have taught AP 3D Design. This year I had the privilege of working with 9 incredibly dedicated and hard-working students. I would like to use this blog to share with you our adventures throughout the year. In this entry, I will focus on explaining what AP 3D Design is, what the portfolio requirements are, and share examples of concentration themes and artworks.

What is AP 3D Design?
AP 3D Design is a course similar in design to AP Drawing and Painting and AP 2D Design. It is sponsored by the CollegeBoard and is designed to give high school students a college art experience. Just like AP Drawing and Painting and AP 2D Design, AP 3D Design requires students to submit a portfolio and artist statement in lieu of taking an advanced placement test. Don’t be fooled! Just because students aren’t taking a test doesn’t mean that this is an easier AP class. If students receive a score of 3, 4, or 5 on the portfolio they can earn college credit. The AP 3D portfolio is submitted online through photographs.

What are the AP 3D Portfolio Requirements?
The portfolio is divided into 3 sections: quality, breadth, and concentration. Each section is worth 1/3 of the total score. Students may submit sculptures, installations, of crafts-based artworks in these sections. The quality section requires students to submit their top 5 artworks. (with 2 views of each artwork), which can come from the breadth and/or concentration sections. Even though the Collegeboard lists this as Section 1, we complete this section last because it requires students to identify their strongest artworks. I explain to my students that their quality section should reflect their 5 absolute best artworks based on execution, concept, and sculptural quality. The second section is the breadth section, which requires students to submit 8 artworks (with 2 views of each artwork) that reflect a wide variety of artistic abilities and their understanding of three-dimensional space. To make this clearer, let me relate it to Pablo Picasso. Picasso would have done exceptionally well on this section of the AP Portfolio because he could draw and paint, realistically, abstractly, and non-objectively using a variety of techniques and subject matter including still life, portraits, and landscapes.  In this section, I stressed to students that this is their opportunity to “show off” the variety of skills that they can do in 3D art. In terms of teacher planning, this is the section that I focus on creating specific lessons and projects for.  In the concentration section of the portfolio students choose a specific topic, medium, or idea to investigate through the creation of 6 – 12 artworks. This part of the portfolio is a little more open because it requires students to submit 12 images and some may be second views from another angle. Therefore, the minimum number of artworks that a student could submit would be 6 artworks, each with 2 views each, or anywhere up to 12 artworks, 1 image each. The concentration section also requires students to write a brief artist statement explaining their central idea. To make this section clearer, I will reference Claude Monet. Monet would have done exceptionally well on this section of the AP Portfolio because Monet focused on capturing changing light within landscapes. He made this his primary artistic pursuit, but went in depth in his investigation. In this section, students choose their topic of interest and I act as a guide and coach as they create the artworks. I stressed to students that their artworks should show progression, growth, and risk-taking of their central idea. Most of all, their concentrations need to be something meaningful, interesting, exciting, and important to them.

What Is the Concentration Section? What did Students Investigate?
The most exciting part of teaching this class is seeing students dive into an artistic investigation of something they love, are curious about, and/or want to learn about through the creation of 3D artworks. Each one of my students did something completely different for their concentration sections. Because of this, it was like have 9 different classes to prepare for. I loved watching their ideas evolve throughout the year as they brainstormed, sketched, and researched. Here is a synopsis and some examples of their work:

Concentration # 1 – Exploration of ceramic vessels and containers and our relationships with them.

Concentration #2 – How many sci-fi creatures can I create using a variety of mediums?

Concentration #3 – Research into musical genres to create sculptures.

Concentration #4 – Exploration of black and white and contrast in the creation of 3D artworks.

Concentration #5 – Exploration of traditional metal-smithing techniques to create a variety of jewelry.

Concentration #6 – Self-portraits of the artist.

Concentration #7 – Functional ceramics inspired by the sea.

Concentration #8 – How many different ways can I embellish a piece of clay?

Concentration #9 – Eyeballs and seeing as the subject of 3D artworks.

As you can see, each student chose something completely different from the other. Also each student chose something that inspired and interested them, which kept them motivated. This is important because students need to work on these projects throughout the entire year and if their hearts are not in it, then they will lose interest and motivation. Some students had a very clear idea of where they wanted to go with their artworks and some allowed the process to direct them. I even had one student who switched her concentration half-way through the year. One aspect that this class did exceptionally well in was their communication with each other through both formal and informal critiques. When one student was struggling with an idea or technique others offered encouragement and suggestions. Having fresh eyes and perspectives from others is important in the concentration because sometimes students spend so much time on an artwork that they overlook things. 


I hope you enjoyed learning about AP 3D Design. There is so much more to this class that I will share with you in the near future. If you are interested in starting an AP Art Class at your school, contact your AP Coordinator. After approval from your school board you need to write and submit a syllabus to the AP Board for approval. Once approved, you are ready to go!

Sincerely,
Emily