Showing posts with label Sculpture. Show all posts
Showing posts with label Sculpture. Show all posts

Monday, June 15, 2015

AP 3D: Breadth Breakdown!

Hello!

I would like to continue my reflection on my AP 3D Design class by sharing with you information about the Breadth section. In this blog entry I would like to share with you brief overviews of variety of lessons that I used to help students create artworks to build this section of the portfolio.

What is the Breadth Section of the AP 3D portfolio?
The breadth section requires students to submit 8 artworks (2 views each) that demonstrate their understandings of 3D space. When I explain it to students I explain that the breadth section should demonstrate their wide array of abilities in how they create 3D artworks. I stress in this section an exploration of the elements and principles of design. Additionally, artworks presented as breadth artworks should change and surprise the viewer as you look at it from multiple angles. For this section, I design the lessons and then allow students to interpret the objectives to create their own unique artworks. I also try to have students build upon previous skills in order for them to demonstrate advanced art making skills. I also encourage students to explore art mediums, techniques, and concepts that are not being investigated in the concentration section of their portfolios.  

What are Some Breadth Lessons?
In the past 2 years I have done quite a few breadth lessons. Below I will list my favorite 8 lessons and give a brief synopsis of each project. I have also included a photo for reference.


Assemblages Inspired by Repetition: collect found objects and then use those objects to create an assemblage sculpture using repetition. Repetition could be achieved by using the same object over and over again, by repeating a motif, or by repeating a specific form. I have students begin to collect objects over the summer. Students then share what they have collected and begin experimenting to see what they come up with. I would not recommend using heavy objects or glass for this due to the limitations and difficulties inherent in these materials. 


Book Transformations: students take a book and transform it into a sculpture; the book can be layered, pierced, stacked, or folded to create a representation or non-representational sculpture. Additional materials can be added. I love this project because it takes something that is normally so "2D" in how it functions and transforms it into something 3D. For contrast, you can also include a hand-made bound book using hand-made paper, marbelized paper, or paste paper with a binding technique such as Belgian book binding or Japanese stab binding for example. 




Slip Mold Ceramics Inspired by Texture: students create slip and use a mold to make a ceramic cast; once the clay object is removed and leather hard, students explore creating textures through carving or through impressing objects and adding ceramic details such as a lid, handles, etc. to make it more original.  Students may also explore textures through glaze mixing and application techniques. This is a great way to re-use dried out clay. Additionally, it is a pretty quick project in terms of clay construction. 

Plaster Balloon Casts Inspired by Form: students create a cast of a balloon using plaster; students fill balloons with wet plaster, squish and hold into place for approximately 5 minutes and allow to dry overnight. Once dry, balloon is removed, plaster is sanded and painted. For the project I would have students make multiple casts because the first few usually don't turn out as well as expected because it takes some practice with mixing, pouring, and casting the plaster. Also, having a rubber bowl to mix the plaster in is extremely helpful with clean up. Plaster water bottles with the bottoms cut off make great funnels for pouring the plaster into the balloon. This is a quick project that could be completed in 1 - 2 weeks. 




Inspired by Movement: students create an interesting shape by cutting a piece of paper, then use the piece of paper as a template to trace between 15 – 30 shapes onto foam core board. Shapes are then cut out and assembled by stacking, swirling, or joining with notches in the foam core board; arrangement of shapes is key to creating an interesting sculpture. Sculptures are then spray painted.   




Emotional and Exaggerated Caricature Sculptures: students design and create a sculpted portrait bust using an emotion as inspiration. The goal is to have students explore exaggeration to create an emotional, expressive response within the sculpture. It should be clear what the emotion is. This is a more time consuming lesson because it involves multiple steps. Begin with a blank styrofoam head. Build up the face with newspaper and/or modeling clay. Afterwards cover with Plaster Wrap and then paint. Additional media may be used to add props or hair. 


Action Shot Sculptures: students use armature wire to create abstract figure sculptures in the round; props and/or colored wire may be created to enhance action shot.






Jewelry Design: students use sawing, piercing, layering, linkage, and/or enameling techniques to create a piece of jewelry. I recommend when photographing jewelry to include a photo of the jewelry by itself and also one of it being worn. 



I hope you enjoyed learning about the Breadth Section of the AP 3D portfolio! These are just a sampling of the many lesson possibilities that exist! 

Thursday, June 21, 2012

Self-Portait Sculptures!

Hello everyone! Today I would like to share with you a very successful sculpture lesson that I did this year with my 3D Design II students.

As the end of the school year approached, I wanted to try to come up with sculpture lesson for my 3D II students. Last year in 3D Design 1 they did a pop art sculpture lesson focusing on Claes Oldenburg and Coosje van Bruggen. They used papier mâché to create sculptures of ordinary, everyday objects on a larger scale. (Think MASSIVE pencil!) Since they already had a foundation in papier mache, I wanted to challenge them with something a little bit more conceptual as well as more technical.

When I began reviewing gaps in my curriculum, I realized that I never really did any type of portraiture with this group of 3D Design students. Since students in Art 1, Art 2, Art 3, and AP Studio all do at least 1 portrait each year, I wanted to give my 3D Design II students an opportunity to create a portrait.

I thought back to self-portraits I had done in college and thought about my absolute favorite one. In my watercolor class, we had to create a portrait in the style of, “A Portrait of the Artist as: ___________.” This was definitely my favorite and most memorable portrait. I created a “Portrait of the Artist as: A LAWN GNOME.” It was so much fun to imagine myself as something totally unexpected and off the wall. So, in planning this lesson for my 3D II students, I thought, “Why can’t I use this statement as the premise of my self-portrait lesson?”

I began to work on a PowerPoint on self-portraits by a variety of artists. We analyzed and interpreted a number of self-portraits by Frida Kahlo, Rembrandt, Judith Leyster, Marie-Denise Villers, Pablo Picasso, among many others. I purposely showed them only 2D portraits and then engaged them in discussion on how these portraits could also be done in 3D form.

A Portrait of the Artist: Breaking Down a Wall.
After our critique and discussion, I outlined the premise of this project, stating they would have to create a self-portrait sculpture by filling in the blank, “A Portrait of the Artist as: ________________.”

Initially, the students were a bit apprehensive. They were worried they would have to do a face or body. (Encouraged, but not mandatory.) Then they became apprehensive about coming up with an idea. We devoted one class to brainstorming. I made a web on a large piece of butcher paper and wrote “A Portrait of the Artist as: _________” in the middle. Students filled the web with ideas, even the most silly and ridiculous ones. This was very helpful because it allowed students to work as a group to come up with ideas, which made it less intimidating and help them jump start on their own ideas. I then conferenced with students individually and helped them sketch. They spent 1 whole week developing ideas and sketching. One awesome aspect of this project is that ANYTHING can be made with paper mâché and students could chose to do a sculpture in the round, a relief sculpture, a portrait bust, a mobile, or something totally different. They really had to stretch their creativity and think about how they wanted to represent themselves. As their final project for the year, I wanted to give them total creative freedom. Here are some of the ideas we came up with:
A Portrait of the Artist as: a Waterfall
A PORTRAIT OF THE ARTIST AS: _____________.
Opposite (as in, their opposite personality)

Indecision

Animal

Athlete

Warrior

Courtesy

Strength

Layers

A Portrait of the Artist as: a Snow Globe.
Landscape

Toy

Beauty

Super Hero

Pepper

Grace

Freedom

Pez Dispenser

Dinosaur

Sunshine

A Dress

A Building



(Just a few of the many ideas!)

A Portrait of the Artist as: An Open Book.
A Portrait of the Artist as: a Lego Man.
This project took about 5 weeks in total. After students had an idea, they jumped right into it! In terms of papier mache. It took about 2 weeks to construct the sculpture, 1 week to papier mache, and 1 week to paint and embellish the sculptures.   What I wasn’t expecting was how conceptual the students became. Some took an abstract idea and showed it using a concrete object, or they took a concrete idea and created a more conceptual sculpture. I was really pleased with the variety of the sculptures. When I do this project again I will do it more towards the middle of year as opposed to the end; that way students would be more motivated and less distracted by end of the year activities.
A Portrait of the Artist as: Grace.